Follow

#UpcomingGigs Legowelt scores Nosferatu: Phantom der Nacht in Amsterdam

The synth whizz performs a new soundtrack for a classic horror movie.

Legowelt scores Nosferatu: Phantom der Nacht in Amsterdam Werner Herzog's Nosferatu: Phantom der Nacht, a 1979 tribute to the 1922 classic Nosferatu, was partly shot on the streets of Delft, a stone's throw from Legowelt's hometown of The Hague. Having previously described his own music as "euro horror," the Dutch artist's decision to craft a full soundtrack for the bloodsucking masterpiece felt like an apt and exciting undertaking.

The marrying of electronic music to the macabre is nothing new. Take Tangerine Dream's otherworldly compositions in The Keep, Mica Levi's chilling synth work in Under The Skin or the soundtrack for Netflix's acclaimed series Stranger Things, composed by Michael Stein and Kyle Dixon of S U R V I V E. When done right, electronic music and horror movies combine to capture coldness and dread like nothing else.

The late-night performance took place at EYE Film Museum in Amsterdam. Outside, a quiet crowd gathered. I caught the occasional glimpse of a Bunker or Clone Records tote bag. As everyone took their seats, Legowelt was characteristically hunched over his machinery in a dark corner, cutting a sort of gothic figure himself—except wearing a tracksuit. He shyly joked with the audience to introduce the project before allowing the curtains to roll back.

As the extended shots of desolate Transylvania met Legowelt's FM synthesis for the first time, the atmosphere became intensely eerie. His eyes darted back and forth between the hardware and the large screen. In one notable scene, rats piled up in the streets of the plagued city and the hypnotizing tones became almost too chilling to bear.

Herzog's muted color palette and off-center compositions continued to fuze beautifully with the tense sonic improvisations. A series of haunting sequences and isolated melodies culminated in the spine-tingling ambience of Dracula's approach to the sleeping Lucy, at which point the iconic scene took on a new kind of elegant and hallucinogenic quality. At times I completely forgot this wasn't the original score.

Towards the end of the film, Van Helsing arrives to witness Harker in distress over a recent bite. "He lost his sanity over it," he cries. "He started to rave!" Legowelt, hearing the audience's laughter, looked up for a brief second. This moment beautifully summed up the Dutch master's subtle and playful bringing together of two worlds. </span>

Let's block ads! (Why?)



from RA - Event Reviews Resident Advisor

Resident Advsor Album Reviews
Follow Resident Advisor

Resident Advisor delivering the inside scoop on the electronic music industry. Subscribe and get dialed in on what's really going on behind the scenes.



SPONSORS

Try Caviar Food Delivery



Sourced by actual house heads who have supported the EDM scene, music, culture, and vibe collectively for decades. We're always dedicated to showing love and support for fellow artists, promoters, and supporters.

Previous
Next Post »

Subscribe

Enter your email address:

Delivered by FeedBurner